Finding Nemo, By Andrew Stanton - 1582 Words

Although psychology class is most likely not the first thing to come to mind when watching a Disney movie, many psychological concepts can be drawn from them. In Andrew Stanton’s 2003 animated film, Finding Nemo, various psychological concepts are exemplified. Finding Nemo tells the story of an overly cautious clownfish named Marlin who losses his son, Nemo, to a pair of divers. He meets a fish named Dory who together seek to find Marlin’s son. Throughout their journey they encounter a storm of jelly fish, surfing sea-turtles, sharks participating in a â€Å"Fish are Friends, Not Food (Graham, 2003)† support group, and numerous other conflicts. Hidden between the lines of their comic misfortunes, Marlin suffers from post-traumatic stress disorder, many characters fall to acts of conformity, and altruism is a theme that defines the movie. In the film, Marlin suffers from post-traumatic stress disorder (PTSD). PTSD is an anxiety disorder characterized by haunting m emories, nightmares, social withdrawal, jumpy anxiety, and/or insomnia resulting from a traumatic experience (Myers, 2011). Although it is normal to feel afraid after a traumatic event, those who experience problems for a prolonged period of time may be diagnosed with PTSD. People with this disorder may feel stressed or frightened even when they are free from danger. Usually within three months of the traumatic occurrence symptoms start to develop, however they can sometimes begin years later. To be considered PTSD, theShow MoreRelatedOdyssey vs. Finding Nemo859 Words   |  4 PagesEpics Over the Years The Odyssey, a historical epic, was the first written of its kind. Since then, many stories’ plots have focused on the characteristics that made it an epic, such as Finding Nemo. Although the Odyssey was written many years ago, Finding Nemo’s qualities are along the same lines. Both stories contain characters on a journey in search of something of significance. Monsters threaten the quest home, helpers assist the heroes on their journeys, the heroes are glorified inRead MoreFriendship and Overcoming Adversity1200 Words   |  5 Pages Topic: Friendship and Overcoming Adversity Story: â€Å"Of Mice and Men† by John Steinbeck ( a story about the hardships of two diverse men and their friendship) Literary Text: â€Å"Finding Nemo† by Andrew Stanton Introductory Claim: Of Mice and Men- Both â€Å"Of Mice and Men† and â€Å" Finding Nemo† both display an example of friendship and overcoming adversity within the novel and movie. Body 1: Of Mice and Men- Claim: Steinbeck displays the ideal of friendship and overcoming adversity within his novelRead MoreSearching for the Clownfish1357 Words   |  5 Pages Finding Nemo is the 2003 product creation of Disney and Pixar. Their long lasting relationship yielded Toy Story, A Bug’s Life, and Monsters Inc. 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In the film  ¨Finding N emo ¨ the author Andrew Stanton uses good and evil through the journey to criticise how weRead More Letting Your Kids Go Essay905 Words   |  4 Pagessafe to be over protective? In the movie â€Å"Finding Nemo,† an over protective father shelters his child, Nemo, due to a traumatizing experience he encountered when Nemo was just a baby. Being so over protective makes Nemo retaliate against his father. â€Å"Nemo you’re going to get stuck out there and I am going to have to go rescue you, you can’t swim well, now get back here this instant!† (Finding Nemo, 2003). By going against hit father’s word, Nemo is then captured by a fisherman who takes himRead MoreAnalysis Of The Movie Wall E 908 Words   |  4 PagesWALL-E WALLL-EEEE! Is a movie that inspires us to dream, and puts our imagination to work. The spectacular robot romance takes us to whole other world of animated robots that contribute to earth. The creator of Wall-e is Andrew Stanton. Andrew Stanton creates this movie with a twist of robots running human lives, as humans do nothing but sit. One company that has trash the earth with all its products and trashed it even more with robots that do not work anymore, except for the exception of Wall-eRead MoreMiss Temptation By Kurt Vonnegut Analysis883 Words   |  4 PagesIn a tedtalk, Andrew Stanton said â€Å"We all love stories. Were born for them.† (Stanton 1:45) Which is true, our society’s culture is driven by storytelling. Stanton was the mind behind well known movies like Finding Nemo and WALL-E. He obviously had has time to perfect the art of storytelling. He came up with rules to create a good story. Some of the rules being make me care, 2 + 2, no happy village, vill ain, or love story. And those are just some of the rules used to create a good story.In KurtRead MoreThe Importance of Courage in The Works ofHarper Lee, Andrew Stanton, and E. B. White559 Words   |  2 Pages God gave us this ability to survive and showed us the greatest example of courage through his son, Jesus Christ, who knew what he was doing and saying was going to get him killed, but he did it anyway. Many modern authors such as Harper Lee, Andrew Stanton, and E. B. White illustrate the importance of courage through their famous works. Atticus Finch, a righteous lawyer in Alabama during the 1930s, demonstrates courage throughout Harper Lee’s To Kill a Mockingbird. Atticus has the moral courageRead MoreFinding Nemo, A Generations Favorite Movie1943 Words   |  8 PagesFinding Nemo, a younger generation’s favorite movie that quickly became close to many children’s hearts. Those hearts included some of our group members and with little disagreement, it was decided that we would concentrate our efforts on this film. But what does a children’s movie have to do with a Communication class, or more precisely a problem solving assignment? When we first watched the film as children, we probably didn’t realizes that there were any problem solving sequences in the filmRead MoreDisney Pixar5510 Words   |  23 Pagesvision of the merger. Pixars brain trust of seven directors and creative executives are also listed as company assets, and the agreement requires that a majority of them agree to join the combined company. Those employees include Finding Nemo director Andrew Stanton; Monsters, Inc. director Pete Docter; The Incredibles director Brad Bird; director/writer Bob Peterson; story artist Brenda Chapman; editor Lee Unkrich; and sound designer Gary Rydstrom (see Exhibit 2). This seems to be a formal